2023年11月7日，杨迪（Di Yang）、董孝驰（Xiaochi Dong）的双个展“丰容”（Enrichment）将在南柯画廊开幕。两位艺术家横跨绘画、装置、影像等多种媒介的作品将在画廊纵深的空间内交错排布，在呈现出各自不同的艺术理念和创作风格的同时，共同围绕着“丰容”这个主题，讨论“内部”的自我意识和“外部”的客观存在对立又相互托生的关系。

On November 7, 2023, the dual exhibition Enrichment by artists Di Yang and Xiaochi Dong will open at the Nan Ke Gallery.Spanning various mediums including paintings, installations, and video, the artworks will be intricately arranged within the gallery's expansive space. While showcasing their distinct artistic philosophies and creative styles, the exhibition will revolve around the theme of 'Enrichment'. It will delve into the intertwined relationship between internal self-awareness and external objective existence, discussing the paradoxical yet symbiotic connection between the 'internal' self and the 'external' reality.

展览主题“丰容”是一个动物园术语。指在圈养条件下，通过有策略性地使用道具、食物、气味等因素，刺激所饲养的动物，使他们进行更多的原自然行为的做法。

此次展览中，画廊的场域本身就类似一个大的生态缸，而展览则是对栖居其间的艺术家和作品进行的“丰容”。人类作为灵长类动物的后裔，具有树栖的天性。由此延伸，展览在南柯画廊的空间内采用垂直的方式展开，在不同高度分配两位艺术家的作品和属地，纵向交叠中既展示出艺术家各自独立的风格，也在动线中贯穿展览统一的内核。

“丰容”脱胎于董孝驰的艺术理念。在他的艺术历程中，“生态缸”一直是他喜爱的观察对象。“它是一个模拟适应动物习性的人造环境，却比自然原生态的环境更加稳定。”

The exhibition theme ‘Enrichment’ is a term from the field of zookeeping. It refers to the practice of stimulating captive animals to engage in more natural behaviors by strategically using props, food, scents, and other factors within enclosed environments. This encourages the animals to exhibit behaviors closer to their natural instincts and habits.

In this exhibition, the gallery space itself resembles a large ecological tank, and the exhibition serves as an 'enrichment' for the artists and their works residing within it. As descendants of primates, humans possess an inherent arboreal nature. Extending from this concept, the exhibition in the space of Nanko Gallery unfolds vertically, with the works and territories of two artists being distributed at different heights. Through this vertical overlapping, the exhibition not only showcases the artists' distinct styles but also weaves a unified core throughout the exhibition's layout and movement pathways.

'Enrichment' originates from the artistic philosophy of Xiaochi Dong. Throughout his artistic journey, the "ecological tank" has remained a cherished subject of observation for him. "It is an artificially created environment that simulates animal behavior adaptations, yet it is more stable than the environment in its natural, pristine state," he explains.